![]() ![]() You can have both heaving basslines and soothing pads across the spectrum of subgenres. One of the beauties of DnB is that it’s such a multi-faceted genre. That way, you will maximize your potential for improving as a music producer.Īnd if you need an introduction to music production in general, check out EDM Foundations. So my recommendation would be to follow along in your DAW as you walk through the article. This article will give you the knowledge necessary to make a drum and bass track from start to finish. No more short YouTube videos showing you how to make a particular bass (as much as they can be helpful). What this article will do is provide you with a solid framework for making DNB. While this article aims to be as comprehensive as possible, you must dedicate time and effort into your craft in order to become a good producer. Let me disappoint you – that will not happen. You might expect to read this article and walk away as a master of drum and bass production. Hopefully some other people will stumble across this and learn something though.As eager as you may be to get into the nitty-gritty of producing DNB, there are a few important points to consider that are essential for any sort of success. Raise the limiter until it maintains form and clarity but the volume it brought up to a reasonable level. Compress it, and multiband compress following this guide. EQ out out the extreme lows and extreme highs. Mastering: I exclusively use the FabFilter plugins, I think they're amazing. Overall mix sits at -3db before I bounced to WAV to master it. Main bass is cutoff significantly below about 150 (I double it with the Sub Bass). ![]() Sub bass occupies area beneath and just around 100. Snare to 200, create a trough at about 100 to leave room for the kick. I EQ the kick the peak at 100, remove the mud at the bottom. The sound is amazing (or at least I think so) and you can create some real range in a sound, but you might want to create some troughs in your main EQ to stop it clashing with other sounds that are playing simultaneously though. Trick you should try that I fell in love with: Setup a new EQ like this and automate the frequency range of the trough/dip so that it glides up and down the frequency scale as the bassline plays. SeamlessR has some excellent tutorials on this, should come straight up with a YouTube search. In places, it's bounced to Harmor and then onto a sound file using Edison for extra Fx, width, distortion etc. The lead bass has 5 different parameters automated throughout the chorus, just to offer some scope. The synths all come from Massive, and then I automate a bunch of filters (usually the filter cutoffs and phasing work nicely) on the bass to create some more nuero-type movement. Thank you! I appreciate the feedback, really :). If you know of any more, send a mod mail! r/JunkFolder - post unfinished tracks here for others to finish If you're here, chances are you've heard of other similar subreddits, but in case you haven't, check these out. Intro to Mixing in FLStudio by /u/by-any-other-name Want to discuss plugins, VST's, and the like?ġ00+ Awesome Free Online Resources For Music Producers If you violate any of these rules you will either receive a warning or a timed ban Manual! Search here and in the official forum | Official Image-Line Forum | Corrupt. Posting tracks as links will get you banned and your link removed! r/FL_Studio - The Reddit Home Of FL Studio Read Our Rules Before Posting: Rules ![]()
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